Deborah Richardson-Webb / Deeds Not Words

Alternative Title #1 :  ‘How the Suffragettes Invented Performance Art’ [1]

Alternative Title #2 :  Railing in the Wind

In advance of our Glen Prosen week we were given a ‘social change’ assignment.  I chose the suffragettes.  I am interested in many aspects of this chapter in our history and it’s legacy but for my research I wanted to consider my personal connection with the topic.

Two aspects became very present for me during this time;

  • I was interested in perfomativity and I wanted to examine the connections between the actions of the suffragettes and my own work in teaching performance.  For this aspect I revisit Leslie Hill’s article.
  • I was interested in the power of direct action and how some actions become transformed into iconic images, which remain in our collective consciousness long after the event.  For this aspect I consider the women who chained themselves to the railings of the Parliament buildings.

To address the first, I stand on the Hill of Spott in Glen Prosen, beside a tree.  I have tied my WSPU (Women’s Social and Political Union) scarf to a branch and the green, purple and white flaps in the high wind.  My colleagues sit around the tree.  I tell them about Nic Green’s Trilogy [2] and we hum ‘Jerusalem’ together in memory of the suffragettes and in tribute to Nic’s work.

I hurl my words into the wind,

  • The personal IS political
  • The body is the site of oppression and resistance
  • The power of live presence cannot be underestimated
  • The performance of personal truths is more important to me than acting

To consider the second, I begin to photograph railings.

I ask myself some questions;

What would I chain myself to railings for? What are my beliefs? What are my railings?

Some answers are;

I believe in:

  • human capacity for growth and change
  • radical pedagogy
  • my family
  • the interconnectedness of all living things
  • the idea that we contain within ourselves all we need to live our lives now
  • valuing intuition
  • taking time
  • being hopeful

As I make this list, I realise I will need good strong railings and warm clothes…I may be some time!


[1] Hill, L., 2000. Suffragettes Invented Performance Art. In Goodman, L., ed., The Routledge Performance Reader . London: Routledge.

[2] http://www.nicgreen.org.uk/

  • Posted: March 6, 2011 | Author: Deborah Richardson-Webb
  • Tagged: , performance , , suffragettes

There is one comment on Deeds Not Words:

  1. Mona Keeling :

    Firstly, I really loved our chat yesterday, it felt like Jess was meant to have left her folder in my car just so we could have had it.
    Secondly, this post really brings me back to that feeling of support and connectedness that taking part in Trilogy gave me. It reminds that we are all intrinsically linked and never truly stand alone (even when we think we are).
    It reminds me that what I discovered about myself and my beliefs whilst on CTP was just a seed that continues to grow and bloom, there are times when Autumn sets it and it feels like I lose something, there is a withering – but then I realise it is only making way for re-growth and new discovery. Thank you for planting that seed.
    The personal IS political and no matter where I work I try to carry that with me.

    November 2nd, 2011 at 2:10 pm

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